RSL Review: Spring 2017

Highlights include a reflection on second novels, Tanika Gupta on women in theatre and poet David Harsent and composer Harrison Birtwistle in conversation on their 30 years of working together.
Articles from this issue
The Most Precious Book I Own
Irenosen Okojie pays tribute to Toni Morrison's novel of kaleidoscopic beauty.
Against oblivion
As she is introduced as President of the RSL, Marina Warner addresses Fellows and Members on the duty of writers to retell history.
Speaking Volumes
Sue Gaisford drinks rose tea with the RSL’s new President Marina Warner.
A New Golden Age
Children’s writer S.F. Said on how Philip Pullman has changed the literary landscape.
40 Under 40
As the RSL prepares to elect a band of younger Fellows, nine writers made Fellows in their twenties and thirties remember what it meant to them.
The Temptation of Big Empty Spaces
Julia Copus talks with Ian McGuire, winner of the 2017 RSL Encore Award.
Words and Music
Poet David Harsent and composer Harrison Birtwistle have worked together for over 30 years. They talk to Maggie Fergusson
Second novels
Three novelists consider their own second novels
Whatever next?
As the RSL takes on the administration of the Encore Award for best second novel, arts journalist Alex Clark, chair of this year’s judges, reflects on the joys and pitfalls of the fictional follow-up
Top Girls
Women are increasingly taking lead roles in the theatre, but there’s still a long way to go. Tanika Gupta examines the glass ceiling
Now we are (round about) sixty
Five RSL Fellows remember the books they loved as children.
Realms of Gold: Rose Tremain on forty years of writing
Rose Tremain reviews forty years of fictional wanderings.
Susannah Herbert on the resilience of poetry
Jamal Mahjoub on why publishers need to recognise the world’s complexity
Photo by Aisha Seeberg.
Being Human
An interview with the RSL’s new Director, Tim Robertson
Arts Council England must treat literature more fairly
Vivat! Vivat Regina!
It is no longer fashionable to divide history into monarchs’ reigns. But if we take the last 60 years to be the second Elizabethan Age, what characterises its literature? As the RSL’s Patron celebrates her Diamond Jubilee, seven writers give their views
The illusion of biography
Claire Tomalin and Victoria Glendinning discuss the biographer’s art
All my yesterdays
A diary is the most obsessive and least communicative of literary forms. Compulsive chronicler Elisa Segrave considers its appeal.
When the world is economic crisis, how are writers to respond?
A passage to Mexico
Anita Desai talks to fellow novelist Maggie Gee about the creative process, the many changes her writing has undergone, and her encounters with different cultures.
With a paper knife in the library
Linda Kelly considers the love of 'real' writers for detective fiction.
Once upon a time
'Tom's Midnight Garden' has enchanted generations of young readers. Almost 50 years after writing it, Philippa Pearce reflects on her career and the changes she has seen in children's fiction
After Agatha
P.D. James and Ruth Rendell discuss the development of crime writing since the age of Agatha Christie, and why it deserves to be taken as seriously as 'mainstream' fiction
Cross-hatching a plot
Paul Gravett traces the rise of the graphic novel to respectability.
Roll out the novel
Alan Judd salutes fiction of the Second World War.
Raj duet
Hilary Spurling examins M.M. Kaye's unlikely friendship with Paul Scott
Belles at midnight
Stephanie Meyer's vampire novels are the latest reading sensation amongst teenage girls. Lucasta Miller looks at the continuing - and ambiguous - appeal of the gothic for female readers and writers.
Life is tweet: Margaret Atwood on her passion for new technology
Xandra Bingley quizzes Margaret Atwood about her passion for new technology
The missing piece of the jigsaw: John Carey on meeting someone from William Golding’s past
When John Carey wrote his biography of William Golding, one thing eluded him: the fate of Golding's first fiancee Mollie Evans. Then, at a talk following the book's publication, a stranger came up to him...
The golden sketchbook – writers’ portraits
What can portraits tell us about writers? The RSL and National Portrait Gallery joined forces to find out
The Road from Damascus: Colin Thubron considers past versions of himself, and the future of literature
Anne Chisholm: The human factor
Anne Chisholm spent ten years working on her biography of Frances Partridge. She describes how her work coalesced with her own life
Penelope Lively and Helen Simpson on literary brevity
Penelope Lively, Helen Simpson, William Skidelsky and Alison Samuel discuss the short story at the award of the 2009 V.S. Pritchett Prize
A is for Anger: Michael Holroyd on Stephen Potter
Michael Holroyd on why Stephen Potter's 'Gamemanship' is a better guide to life than 'Mein Kampf'.
A is for Anger: Michael Holroyd on Stephen Potter
Michael Holroyd on why Stephen Potter's 'Gamemanship' is a better guide to life than 'Mein Kampf'.
Lost and found in London: Romesh Gunesekera on the lure of the capital
Romesh Gunesekera considers the lure of the capital for an author
Michael Morpurgo on child literacy
Michael Morpurgo examines the lamentable standard of literacy among children
A vanishing and a Christmas quarrel: on the emotion behind Thomas Hardy’s Christmas cards
Anthony Gardner on the high emotions behind Thomas Hardy's Christmas cards.
The fundamental paradox: Michael Frayn and A.C. Grayling on philosophy and writing
Michael Frayn talks to A.C. Grayling about philosophy and its bearing on his plays and novels
Bankers daft: Michael Holroyd on the inability of banks to deal with writers
Immortal prose: how to preserve a writer’s work by James Fergusson
As the technology of publishing changes, what is the best way to preserve a writer's work for posterity? James Fergusson investigates.
Words and deeds: Caroline Moorehead on her work with refugees in Cairo
Caroline Moorehead explains how her biographies of two women led her to work with refugees in Cairo.
How to beat the Bounderbys: Jonathan Keates reviews the rewards and difficulties of teaching
Jonathan Keates recently celebrated 30 years of teaching English at the City of London School. Here he reviews the rewards and increasing frustrations of his profession.
Benson and hedging: James Fergusson reveals a high profile dispute over the RSL Benson Medal
James Fergusson reveals how a dispute over the Benson Medal split the RSL and set Siegfried Sassoon against T. Sturge Moore
Letter from Shortlist Land: Ysenda Maxtone Graham on being a nominee-turned-judge
Ysenda Maxtone Graham describes her experiences as nominee-turned-judge of a literary prize.
The house of fame
A narrative gift: Katie Waldegrave on her charity, First Story
Katie Waldegrave describes how First Story's team of writers is giving new confidence to schoolchildren
Richard Eyre on cuts to the arts
Richard Eyre warns against spending cuts to the arts and humanities
Diffuse muses – Fiona Sampson on writers and music or art
Fiona Sampson considers writers who are also artists or musicians
Mid-life memoir
Crispin Jackson reviews The Cosmo Davenport-Hines Memorial Meeting, Mid-life memoir, featuring Damian Barr and Tracey Thorn, chaired by Susannah Clapp at Somerset House on Wednesday 8th May 2013.
Bound for glory: Crispin Jackson on book art
Far from surrendering to e-publishing, the traditional book is acquiring ever more imaginative forms, Crispin Jackson reports.
The Lingua Franca: Colin Thubron on translated literature
The President’s address to the AGM: 28 June 2012
Kate Pullinger thrills to the rise of digital fiction
I sing the body of work electric
Found in Translation
Of the thousands of books published in Britain each year, only a handful are translated from foreign languages. Given the dominance of English as the international language of business and politics, perhaps our literary chauvinism is inevitable.
Found in Translation
Of the thousands of books published in Britain each year, only a handful are translated from foreign languages. Given the dominance of English as the international language of business and politics, perhaps our literary chauvinism is inevitable.